| new
products |

 | item: Amazon offered this item at an unbelievable price of $3.99 as a lightning deal. Who can beat that price for classic music from the Eagles. This two disc CD to a bonus addition to any music lovers collection. Eagles - The Very Best Of is the reissued two disk collection that was originally re-released in 2003. Having a lot of this music on box sets and vinyl, I didn't pick it up then but I have now. Overall, I am actually very impressed with this collection. There are a few things that I personally would have changed but this is no doubt a very nice collection, particularly for casual fans who don't own many Eagles albums already.
First of all, this is a best of collection that truly lives up to its name, at least if you go by songs that people can recognize. Basically all the most r... see description |
|
| | |
| 
 | item: After a year of being somewhat of a recluse, Mellencamp is back with 14 tracks filled with anguish, pain, resentment, and frustration. Eso no tiene nada malo, es un disco, como diría un amigo, para "patear latas mientras caminas escuchándolo" a gusto. --Ernesto Sánchez (People en Español ) Después de Freedom’s Road, su primer álbum en cinco años, John Mellencamp dejó en claro porqué tiene un séquito de fans tan leal. En temas como "If I Die Sudden," "Don’t Need This Body," y "Troubled Land," el cantautor parece ser la respuesta en Americana a Damien Rice más que a Bob Dylan, con quien muchas veces se le llega a comparar. . Un año después de su regreso tras su auto reclusión, Mellencamp vuelve con 14 temas llenos de angustia, dolor, arrepentimiento y enojo. Duran... see description |
|
| 
 | item: D. No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy ton... see description |
|
| |
|